NB Film Co-op

13-May-05

 

In this Issue...  

-NB Arts News

-NBFC News/Member Updates

-NBFC Writer's Retreat

-Submit Your Stories to the Film Co-op

-Advertise in Film Co-op E-News

-Paid/Volunteer Work
-
Funding for Projects
-
Co-op and Outside Workshops

-Festival Deadlines








click on these headers

 

NBFC Writer's Roost Retreat
Ancient Greeks and Romans called upon Eros, or Diana, or an appropriate muse. 

 

When Amy Whitmore of modern day St. Andrews brought together scriptwriters from Moncton, Fredericton, and Saint John, they spontaneously adopted Wilbur the Pig as their muse, and gnawed their way through the knots of structure, dialogue, characterization, setting, and "resonance." Scriptwriting combines artistry with rigid format, and the participants helped one another with problems in their scripts - and gave kudos for jobs well-done.

There is a strong volunteer filmmaking community in New Brunswick, a "breeding ground" for some who wish to make their way onto paid productions. Saturday, May 7th's workshop participants come from a variety of backgrounds.

Pauline Cronin, an actress from Rothesay, NB, has appeared on stage and in feature films. She has moved from a happy career as Chartered Accountant and investment industry executive to the self-financing career of scriptwriting. A mother of two, she took an intensive on-line course in scriptwriting from home to properly learn the craft.

Gretchen Kelbaugh of Quispamsis is a former science teacher who has won several awards for her scripts.  One script aired on CBC, she is currently doing post-production on her first feature film shot last spring, and has shot two documentaries. For one of those, on education, she travelled to the Dominican Republic. She thanks her mother for supporting her filmmaking.

Cathie LeBlanc, full-time staff member at the NB Film Co-op, channels the bulk of her energy into helping Co-op members. All of Saturday's participants were members of the New Brunswick Filmmakers' Co-op, and have shot films through the Co-op, or volunteered on shoots. Cathie has also launched a career as a documentary filmmaker and, a blues vocalist long before she stumbled into the Co-op, composes and records original music for films.

Young Tim McDonough of Saint John is a recent graduate of NSCAD's film school. One of his short films won a People's Choice award at the Tidal Wave Film Festival, and he is planning a shoot next month in Saint John with NB Film Short Venture program support. He told Amy to tell all her friends that he "loves St. Andrews!"

Bunthivy Nou of Fredericton in fact grew up in Black's Harbour and graduated from Fundy High, as well as UNB. With a Certificate in Film Production she's crewed on a number of Co-op films, and is now putting her own shoot together. At the same time she does Marketing & Comunications for the New Brunswick Climate Change Public Education and Outreach Hub at the New Brunswick Lung Association.
Dennis Poirier of Moncton's Redleaf Productions is an Aliant Internet geek by day, and budding filmmaker by night. This summer he shoots his second thriller, "Dead Flies."

Christina Wood, a mother and part-time staffer at the Film Co-op, is a graduate of a digital media design and production program. An artist, she is planning her first film shoot for 2006.        

Amy Whitmore of St. Andrews and owner of Wilbur the Pig has won script awards and writing scholarships. She shot her first film in St. Andrews in 2003 with an all-St. Andrews cast, and is crewing for Jeff Comb's Deer Island shoot to improve her filmmaking knowledge. She is shopping around a feature film and a TV series concept "set in an historic seaside village."

By discussing the scripts that they've written the writers got a sense of how their writing could be interpreted and advice on how to solve problems in their scripts. They discussed the common problems of carving out writing time - essentially an unpaid apprenticeship - and "industry news." NB-er Doug Sutherland shot his own feature and managed to get it into the Empire Theatre in Fredericton, where it was actually held over for a week. Saint John Empire Theatres wouldn't give it a try, claiming they know what their audience will and will not attend.  Saturday's  group combined both filmmakers who don't care if they ever make a cent, and those who want more made-in-New Brunswick productions over those developed elsewhere and only shot in New Brunswick.

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Appreciate the Co-op Staff

I've been a member of the Co-op for one year and I'm based in an isolated area of New Brunswick far away from all the cities.   There are a lot of very creative people in my area but they are isolated from each other and they don't talk or get together at all.

A friend of mine from another isolated area told me all about the NB Film Co-op and that is how I became involved. He said it was the arts community to be a part of in the province.

My instant response was, "it's too far away". My friend then explained to me that the Co-op was everywhere and I had to see beyond the physical space located in Fredericton to the community which is the actual Film Co-op and that community literally stretches out over the entire province and goes into many other provinces and countries as when members move they still stay in touch with the staff. I was very dubious quite frankly and said as much. How could a place be everywhere? He wouldn't give up though and told me about the staff at the Co-op and their tireless work towards creating a virtual office and promoting the centre's membership no matter where they live.

When I visited the Co-op for an orientation, I met this mystical staff. They talked about the history of the Co-op, the resources, the workshops, the films, the videos and the members.....they talked about the members a lot actually and not just the members in Fredericton but everywhere in NB. The staff help connect people with other people and they assist in grant writing and budgeting as well....they take people through the entire process of film and video making with the help of the membership. 

They never talked about themselves at all though. These were my first impressions of them: Cathie was adorable, friendly and extremely knowledgeable and loves the Co-op and it's membership, I can see that love oozing out of her pores, she can barely contain herself and she's funny too. She also makes really, really strong coffee.. Tony is a real gentle giant and a modest man with an amazing intellect and a truly corny sense of humor. Rodrigo is very sweet and smart and loves music...there is always music playing when he is working.

I also noticed that they never talk about themselves! I talked more to my friend who is a member and I had to find out from him that Tony recently won an excellence award for cultural development in the arts for the province of NB. Wow that's really cool. He also teaches film at the University and he is a very talented cinematographer and has his masters in business. My friend told me Cathie used to work with terminal seniors before she came to the Co-op and did production management on Co-op films and videos for a long time. She composes music and sings and has done songs for films and videos and creates her own documentaries. Rodrigo is an excellent camera, lighting & sound guy for video and television and edits too. He does alternative documentaries and documentaries with social and cultural themes. My friend who has been around longer than said he found out this info from another member.

The staff spend a lot of their time nurturing and helping people and it's not about the money as the pay at charities is pretty bad, everybody knows that. I find this all so intriguing because I tried to be jaded about the Co-op. My friend made it sound like it was too good to be true...."there had to be a catch", I thought to myself. But the staff sucked me into the Co-op. As soon as I walked in the door, I knew that this was a place with many layers of acceptance and love...yes love for the arts and for the members no matter what their culture, creed, sexual orientation or location.

It is a place where the people who work there understand what the Co-op is and what it could be in the future. I simply can't be jaded when I'm faced with the staff's overpowering passion for the arts community in NB, they won me over damn them. If they can commit so much of their time to all of the province then certainly I can put in some time to travel to participate in events held at the Co-op. Surely I can help out in any way I can to get things moving not only in my own area....but in other areas of NB. It's the least any of us in the membership  can do.

Maybe that's what has stuck with me the most....that it's not just about me and where I live. I have to stop being so micro and in my own little bubble and start thinking as the staff do that it's macro and we all have to take care of each other where ever we live in NB.

On an end note. Cathie was extremely uncomfortable about putting this article in the Co-op e-news as she felt the emphasis in all the articles members write should be on themselves or other members or Co-op activities as it's important to focus on the community which is the Co-op not the operational aspect of the centre. Sorry Tony, Cathie and Rodrigo, you count too and you should always be mentioned as you keep us all going and anyone who doesn't understand that doesn't get what the Co-op is all about. Members please appreciate the Co-op staff and treat them with respect.

anonymous committed co-op member


Contact the Film Co-op at: info@nbfilmcoop.com

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Advertise in NBFC E-News/Classified Ads
Member wants to crew on Co-op productions this summer
Tim McDonough a Film school grad is looking to get involved with Indi film scene in NB. McDonough was recently overheard saying, "I know F#!k9n everything.

" Tim trained as a photographer for three years at a reputable art school and then switched to film and completed his degree. Tim has since photographed on 7 films, done grip work, and written and directed a number of his own short films.

He is also a trained artist so he doesn't listen... a great problem solver, skilled in design, and an all round asset. If you would like a copy of McDonough's CV please email: mo_jo100@hotmail.com and feel free to call Tim at (506) 696 6081.

Member Casting Call
A Saint John indy project called ‘As the sun casts no Shadow’, seeks several actors, experience not necessarily required, for a shoot in May and June. It is a retro-styled, thematic short, set in an alternate world, where vestiges of nobility attempt to settle inner conflicts of pride and existence through a pistol duel.

The following are needed: Leo - a collected leader; a tall guy with long hair age 25-35. Jack- an indolent hedonist; age 17-22.   - a prudent peacemaker; age 16-21. - gang members for a suave, 70's rock star style gang (the longer the hair the better) Ages 24-35

We also could use some crew help for sound, continuity, lighting and general assistance. We’d be happy to have anyone and we will provide food, drink and transportation (in Saint John  area).

Please contact Liza: extra@nbnet.nb.ca or Philip energyflows@rogers.com
Please include a current photo for consideration.

For Sale
16mm Bolex model #816 reflex film camera with 4 lenses (10mm, 16mm, 25mm, 75mm). It comes with various accessories including cable release, also Lowepro case. $1400 or best offer. Also available Harrison change tent - $300 or best offer. Contact: Chuck Clark (902) 423-2283 or email: chkclark@hotmail.com

Panasonic DVC-PRO Professional Video Camera AJ-D400 along with playback deck Panasonic AJ D440. I have been shooting with this camera for over a year now and the picture is incredible!!! This is a serious camera and deck for high end video intended for broadcast...3 Half Inch Chips!!!!

Even the new Sony HD cameras don't have chips that size in them! Anyhow, the camera on e-Bay right now is going for $6000 American, and the Deck is around $5000. I am selling both together for $6000. I am putting it up on ebay this week so if anyone is interested get in touch soon as I wont have it for much longer. Why am I selling it? Well despite the new Sony HD's smaller chips, we just bought one and now have no need for an extra camera. read on Tel: !
506-639-6785, greg@hitmedia.ca


(or get the same info at: http://www.lemac.com.au/sales/hware/dvc/CAMS/400.html

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Paid/Volunteer Work

Paid Work  

Curator of Contemporary Art

The Art Gallery of Windsor is accepting applications for the position of Curator of Contemporary Art.

Working with the Director and staff to develop the gallery's exhibition program, the Curator of Contemporary Art will be primarily responsible for implementation of the contemporary art program, including exhibitions, publications, and the development of related public programs. The ideal candidate will have a sound understanding of contemporary art practices locally, nationally, and internationally. Exceptional research and writing abilities are required. The Curator of Contemporary Art will also be required to contribute to the institution in associated areas such as: the collecting activities of the institution, preparation of grant applications and reports, maintenance of publicity and media relations, and the production of written material for private and public sector funding.

Qualifications
The search committee will consider applicants that can demonstrate a combination of the following attributes: Work history within an art gallery or museum
Experience in curating exhibitions and publishing catalogues within a Canadian public art gallery or museum
Extensive knowledge of contemporary art
Exceptional conceptual, analytical, and communication skills
Strong administrative skills
Demonstrated ability to work effectively in a team environment

E-mail a letter of application, resumé, and 100-word narrative detailing your interest in the position, the AGW, and contemporary art within the
Windsor context to Gilles Hébert, AGW Director, at ghebert@agw.ca.

 

Application deadline: May 31, 2005

 

Art Gallery of Windsor

401 Riverside Drive West

Windsor, Ontario

N9A 7J1  Canada

Phone: (519) 977-0013

Fax: (519) 977-0776


Paid Non-Linear Editing Instructor Needed to Teach Final Cut Express HD!
My name is Brent Ferris and I recently purchased final cut express HD
software.  I am  looking for someone familiar with that software who
could help bring me up to speed.  I live in Fredericton and can be
reached at 443-7873, and of course I am willing to pay for the service.

Volunteer Work/Donations

- Saint John Co-op member Richard MacQueen would like to thank the Co-op staff for all their help. They went out of their way to help him track down members with equipment in his neck of the woods who helped him out on his production.  A special thank you to S.J. based Co-op member Connell Smith for loaning Richard a light kit.

- Thank you to New Co-op member Siobhan Russell for hosting the first "Flick Night", and to Krista Goguen for attending. 


PLEASE LET US KNOW AND WE WILL SPOTLIGHT A DESERVING CO-OP MEMBER/SUPPORTER/SPONSOR/VOLUNTEER IN THE CO-OP

E-NEWSLETTER
Donations needed for the Co-op:

- LIQUID SOAP

- PAPER TOWELS
- DONATED PRIZES FOR CONTESTS
This all counts as volunteer hours for new members!
If your time is limited, donations are the way to go!

Click here to read more about needed volunteer activities

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 Funding for Projects
New Brunswick Arts Board
http://www.artsnb.ca/
Linda Joy Media Arts Awards
http://www.lindajoy.com/
The Canada Council for the Arts
http://www.canadacouncil.ca
BravoFACT
Email: bravofact@bravo.ca
TELEFILM
http://www.telefilm.gc.ca

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Co-op and Outside Workshops
Workshops on Demand!

BOLEX, BOLEX, BOLEX
(Theory and Hands-On)
Instructor: Chris Giles

Call (506) 455-1632 or email Cathie at: info@nbfilmcoop.com  to set up your own private workshop session with Chris on the Bolex Camera. You could do a day or evening workshop however long, tailored to your busy schedule for a reasonable price. This is a fun interactive workshop!


This extreme "hands on" course covers the features and modes of Bolex usage, which includes loading, meter reading, frame control, in-camera effects, and most important, in-camera editing. Participants will learn to script for the in-camera edit and how to control their shoot, especially transitional effects, special effects, titling, etc. When the shoot is over, the film in the camera will be done

INSTRUCTOR'S BIOGRAPHY
Originally from Nova Scotia, Chris has lived in Fredericton for the past 7 years. He has 10 years experience with photography and received two emerging artist grants from the New Brunswick Arts Board to work on photo installation projects.

As well as being a member of the SilverFish photo collective, he has exhibited over a dozen group shows and 3 solo shows of his photography. Chris is a Co-op member and has worked on 3 Co-op shorts doing stills and lighting. He has also done hand processing of Super 8 and 16mm film. Chris is familiar with all of the Co-op smaller film cameras.

Acting Class for Beginners in Saint John
6:30 pm-9:30 pm.

Tuesdays from May 10-June 28 (6 classes, plus one performance night, class will not be held May 17). Location: To be determined. This class introduces participants to warm-up exercises, vocal techniques, and the basics of performing scenes on stage. Participants will end the session with a performance night for family and friends. This class is ideal for people who have minimal or no experience with stage performance or scene study. Facilitator: Stephen Tobias. Class size: Limited to 12.

Note: Participants will perform scenes each week with each other. It is important that all participants are able to attend all sessions of the class. Cost: $125 ($100 for SJTC members). To register: Call (506) 634-1990 and leave a message.

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 Film Festival Deadlines
Korea¡¯s Educational Broadcasting System  International Documentary Festival.
We are currently accepting entries until July 10, 2005

www.eidf.org


Enter your film in the 2005 Continental Drift Short Film Festival.
In this, the festival's second year, dozens of short films celebrating the world's cultural and cinematic diversity, as well as focusing on local talent, will be screened over two days. Festival screenings will take place on September 24th and 25th , 2005 at the Dennis R. Knibb Auditorium in Saint John.

We would love to see your work! Please submit your short film (fifteen minutes or less in duration), on any subject, for consideration. The deadline for submissions is May 16, 2005. Films received after May 16th, 2005 will automatically be entered for consideration for the 2006 festival.

For full submission details, please refer to the entry form and submission information available at http:www.cdrift.ca We look forward to viewing your submission!

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NB Arts News
Moncton Members check out a new alternative magazine right in your neck of the woods!  Mascaret (independent culture and environment) www.mascaretmedia.ca
Editor: Louise Barton-Duguay. 
Email: editor@mascaretmedia.ca

 

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NBFC News/Member Updates
Here's a little something fun I whipped up the other day...
http://www.rantaboutit.com

Stop in and have a few laughs, maybe be a bit disturbed; but certainly
submit a RANT about something.

Then spread the word... I think this should become the next internet hot
phrase. First there was "google it", now whenever you hear someone
complaining about anything... you can tell them to RANT ABOUT IT!"

Have fun!

dhomas trenn
founder, creative interpreter - youngmonkey
http://www.youngmonkey.ca
305 Southampton Drive, Fredericton, NB, E3B 4T5, Canada
phone: 506.459.7088

Next Upcoming Flick Night!
Where: The NB Film Co-op (51 York Street)
When: May 31, Tuesday night at 7pm
Why: Because it's Fun!

What to Bring: Your own Liquid Refreshment....Cathie will make popcorn.

Cathie's Pick for this "Flick Night" is 

"The Man Who Wasn't There"

Ed Crane is absent indeed in The Man Who Wasn't There, the latest film from the Coen brothers. The man that shares Billy Bob Thornton's features traverses the world that surrounds him as such a phantom that nobody notices him. Dull and stripped of all emotion, he is the perfect subject for a black and white film noir.

Crane the neighborhood barber is the prisoner of an insipid life. Married without love to Doris (Frances McDormand), one day he sees the opportunity to escape his destiny while by becoming a business partner in a dry cleaning venture. In order to get the necessary funds, he decides to blackmail Big Dave (James Gandolfini), Doris' boss and with whom she has an extra-marital affair. But obviously, as usual in Coen brothers' films, the plans will not go as planned.

The Man Who Wasn't There is above all an exercise of style.

The purpose of the characters, the story and the décor is only to recreate the troubling atmosphere of film noir. The slow rhythm, music and the use of black and white film pay homage to the genre. The use of the light and shadows, a superb photograph and the rigidity of Billy Bob's face combine wonderfully to make each shot an image of the epoch. The film locations, like Old Town Orange in California, reinforce the authenticity of the whole, instead of merely filming on a stage.

The full-length film is therefore not an empty work since it casts an eye full of affection on the America of ordinary people one does not see, but who still have their place in society. Though it certainly shows the banality of their lives, it does not mock them. The characters are neither pathetic, nor crazy. Rather, they are rather the victims of their destiny.

The Man Who Wasn't There is surely one of the Coen brothers darkest films, but also one of most conventional since it voluntarily yields to the rules of a genre. It has neither the eccentricity nor the provocation that made their reputation, nor the fun that made their commercial success. Humor was not forgotten, nor was the irony of fate.

Billy Bob Thornton is perfect in the title role. His coldness is glacial and he renders his character almost transparent, so much is he detached. Frances McDormand is not outdone, while James Gandolfini (The Sopranos) is undoubtedly at ease between a good mood and toughness.

Remember to check out the archived e-news issues on the Co-op website: http://www.nbfilmcoop.com

 

Monthly Orientation Sessions

May 25, 12 noon, Film Co-op (51 York Street)

Please email Cathie to confirm you are coming for an orientation or if you have any questions about the criteria for applying to the production committee or anything else.

cathie@nbfilmcoop.com

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A Filmmaker's Evolution

NBFC Member Profiles!