Production Design
January 26/27(Sat/Sun) - 10am-6pm
Emanuel Jannasch - Production Design
This two day workshop presents techniques of film design developed over 25 years in the industry. The tools you will learn apply equally well to multimillion dollar features and to no-budget independent work. Primarily intended for the production designer, these tools also help the director to create an overall vision for the film and , encourage the writer to work cinematically. Anyone who pursues film as a visual art will benefit From this weekend.
The first day considers the film as a whole; what it means to create a look, how to tease out and reinforce the dramatic structure of the piece, how to identify the elements at your disposal, how to prioritize the problems to be solved.
The second day considers the individual elements of the design. What kinds of sets and locations work for the drama, for the camera, for the gaffer? How can magnificent sets be created on the cheap? How is wardrobe integrated into production design.? What makes a good prop?
The workshop focuses on creative aspects, but filmmaking is first of all a logistical challenge, Over the weekend, participants will also learn some management tips for turning your vision into reality.
Background on the Instructor:
Emanuel came to film from a background in construction work and architecture. His credits as production designer or art director include Def-Con 4 (1982), Margaret’s Museum (1996), and The Conclave (2005). His work on New Waterford Girl (1998) was recognized with a Genie nomination.
Since setting up the Screen Arts program at NSCC in 1999-2000, he has been doing increasing amounts of teaching in university programs and at film training places across the country.
He hasn’t spent any time in Fredericton since designing and building sets for
Samuel Lount and looks forward to coming back.