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The Cinematographer and the Indie Filmmaker

Email info@nbfilmcoop.com to register!

COST: FREE for Film Co-op members in good standing.

Class Limit: 25

Instructor: Becky Parsons

ONLINE WORKSHOP

Workshop Description:

Cinematographer Becky Parsons discusses the relationship between the DOP and the director on an indie production. Definition of indie: dramatic, doc, big and small.

Often in these productions the director is also the writer and how might this impact the DOP and director collaboration? This question and others will be discussed to further explore the DOP and director relationship within the three phases of motion picture production the DOP is involved in: Pre-production, Production, and Post-production. In this session, Becky draws from her experience working with indie writers/directors and what she has discovered to be the best and most efficient practices for low-budget shooting. as well she will discuss the importance of the relationships between the director, the cinematographer and the rest of the creative and technical teams on indie shoots.

Instructor's Biography: 
Becky Parsons is an award-winning cinematographer (Rhonda’s Party), fine art photographer (Kodak Achievement Award) and nominated director (Le Coeur Qui Bat – best music video – Music NB). A graduate of the Nova Scotia College of Art and Design, she has 20+ years’ experience in the photographic and motion picture arts.

She is Director of Photography and/or camera operator on a number of well-known productions. For example –  Bruce McDonald’s feature film Weirdos, feature music documentary Carmine Street Guitars and the popular new CBC TV series, Son of a Critch.

Her fine art photography has exhibited in Nova Scotia, New Brunswick, Toronto, and England and has entered private collections throughout Canada and the UK.

In 2018 Becky created the production company No Fear Films and as a producer she is in development with writer Sarah Gignac and executive producer Terry Greenlaw for the horror feature film The Apartment.